2020
Manifesta 12: Final Report
Manifesta 12 Palermo 2018, Final Report. The Planetary Garden. Cultivating Coexistence Manifesta 12 Palermo explores coexistence in a world moved by invisible networks, transnational private interests, algorithmic intelligence, and ever-increasing inequalities through the unique lens of Palermo — a crossroads of three continents in the heart of the Mediterranean. Closely collaborating with Palermitan partners, Manifesta 12 coinhabits Palermo, an ideal place to investigate the challenges of our time and look for traces of possible futures.
Books, 166 x 240 mm, 64/36/136 pages, softcover
2020
Manifesta 13: Le Grand Puzzle
Le Grand Puzzle is the urban research by MVRDV and The Why Factory led by Winy Maas commissioned by Manifesta 13 Marseille. It was commissioned as the foundational step of Manifesta 13 Marseille and as a new model of creative mediation that serves both as a blueprint for Marseille to plan its future and as a research framework to ensure that Manifesta 13 achieved a long-term impact for the city and its citizens. In Le Grand Puzzle, Marseille is addressed as a complex mosaic of fragments and sometimes lost identities unfolding from centuries of exchange between civilisations, where the city’s material archaeology, cultural legacy, histories, and ecosystems testify to Marseille multiculturalism and syncretism. The visual identity of Manifesta 13 Marseille was developed by French design studio Super Terrain. Le Grand Puzzle is published by the German publisher Hatje Cantz. The book is for sale here.
Books, 166 x 240 mm, 64/36/136 pages, softcover
2019
PUB Journal #2: From Precarity
The second issue of PUB (Sandberg Institute) journal focused on the theme of contemporary artistic labour. Designed with Nicolò Pellarin, Tali Liberman and Andreas Trenker. Contributions by Alina Lupu, Mirko Podkowik, François Girard-Meunier, Theresa Büchner, Silke Xenia Juul, Lara Garcia Diaz, Giovanni Bozzoli, Ada Reinthal, Leslie Lawrence, Paul Bille etc. The Launch of the journal was hosted by Fabulous Futures in April 2019.
Journal, 210 x 297 mm, 54 pages, 4 colours, offset, Japanese binding, IBO One 60gr
2019
Issue 4
Essay book 2019, Sandberg Instituut, Design Department. Introduction/Epilogue by Tina Bastajian. Contributions by Lucie de Bréchard, Rowena Buur, Miquel Hervás Gómez, Sascha Krischock, Tessa Meeus, Samuli Saarinen, Andreas Trenker, Alex Walker, Karina Zavidova. Designed with Andrea González Garrán and Nicolò Pellarin.
Book, 136.5 x 220 mm, 142 pages, 1 colour, offset, Munken paper
2020
Soft, Hard, Wet: Speculative Genealogy of the Artificial
MA thesis of artist Natalia Jordanova. Dirty Art Department, Sandberg Instituut, 2020. The text "is an attempt to shift the position of viewing, which always has been human-centred. A way of thinking that presents objects in a flat and equal ontological order to avoid the centralisation of power and dominance of one form of life over another. A world-changing from nature to simulation, from things to information. Though initially as opposites, organisms and machines and humans and animals are all agents in a constant flow of interweaving. Artificial life is being produced by Gods and later humans, in their ever known attempt to be in power, wanting to live forever, to overcome the natural limitations."
Book, 37 pages, 1 colour, Offset
2018
Manifesta 11 Zürich: Cabaret der Künstler — Zunfthaus Voltaire
Manifesta 11 Zürich 2016. M11, a project initiated by Manifesta Foundation and the City of Zurich, was curated by German artist Christian Jankowski and took place in 2016 in the Swiss city of Zurich for a span of 100 days. One of the venues for Manifesta 11 was the Cabaret der Künstler — Zunfthaus Voltaire, a temporary cabaret at the historic Cabaret Voltaire where around three hundred performances from international artists took place during Manifesta 11. The visual identity for Manifesta 11 Zurich was developed by Swiss designer Ruedi Baur.
Book, 240 x 165 mm, 256 pages, typeface Favorit Grow Manifesta by DINAMO Studio
2017
From Flood to Beach, or: How I Learned to Stop Worrying and Love the Sea
"The year is 2038. The Netherlands is entirely submerged in the sea. Well, not entirely... One small area on the back of the Hondsrug remains standing strong against the surge of waves. And life is not easy, with the immigrants from Amsterdam, Rotterdam, The Hague, and Utrecht. City folk from former Randstad, submerged in the results of years of denial, have come eastwards in flocks, looking to boards Holland’s last Ark. As a result, Drenthe is in turmoil. Under this newly born density of population, people are beginning to wonder: when will things normalise? Will the immigrants from the West integrate into their culture? And what to do with all this water? The first settlers in the Netherlands are now facing their perhaps biggest challenge yet..." — JH
From Flood to Beach, or: How I Learned to Stop Worrying and Love the Sea is a book by Jonathan Hielkema developed as a continuation of his documentary Drenthe aan Zee. The five main questions of the documentary are rhythmically translated into this publication consisting of found footage, snapshots, and video stills. The book is printed on waterproof Stone Paper and therefore resistant to any possible flood. The book was designed together with Lukas Engelhardt.
Book, 56 pages,120 x 240 mm, softcover, stone paper
2017
Cleansed, Peeled, Liberated GD18 KABK
Graduation Show identity for the Graphic Design Department of the Royal Academy of Art, 2018, The Hague. In collaboration with Lukas Engelhardt, Taya Reshetnik, Lin Ven, Nora Békes and Asya Sukhorukova.
Identity
Manifesta 12: Final Report, 2020
Manifesta 12 Palermo 2018, Final Report. The Planetary Garden. Cultivating Coexistence Manifesta 12 Palermo explores coexistence in a world moved by invisible networks, transnational private interests, algorithmic intelligence, and ever-increasing inequalities through the unique lens of Palermo — a crossroads of three continents in the heart of the Mediterranean. Closely collaborating with Palermitan partners, Manifesta 12 coinhabits Palermo, an ideal place to investigate the challenges of our time and look for traces of possible futures.
Books, 166 x 240 mm, 64 / 36 / 136 pages, softcover
Manifesta 13: Le Grand Puzzle, 2020
Le Grand Puzzle is the urban research by MVRDV and The Why Factory led by Winy Maas commissioned by Manifesta 13 Marseille. It was commissioned as the foundational step of Manifesta 13 Marseille and as a new model of creative mediation that serves both as a blueprint for Marseille to plan its future and as a research framework to ensure that Manifesta 13 achieved a long-term impact for the city and its citizens. In Le Grand Puzzle, Marseille is addressed as a complex mosaic of fragments and sometimes lost identities unfolding from centuries of exchange between civilisations, where the city’s material archaeology, cultural legacy, histories, and ecosystems testify to Marseille multiculturalism and syncretism. The visual identity of Manifesta 13 Marseille was developed by French design studio Super Terrain. Le Grand Puzzle is published by the German publisher Hatje Cantz. The book is for sale here.
Books, 166 x 240 mm, 64/36/136 pages, softcover
PUB Journal #2: From Precarity, 2019
The second issue of PUB (Sandberg Institute) journal focused on the theme of contemporary artistic labour. Designed with Nicolò Pellarin, Tali Liberman and Andreas Trenker. Contributions by Alina Lupu, Mirko Podkowik, François Girard-Meunier, Theresa Büchner, Silke Xenia Juul, Lara Garcia Diaz, Giovanni Bozzoli, Ada Reinthal, Leslie Lawrence, Paul Bille etc. The Launch of the journal was hosted by Fabulous Futures in April 2019.
Journal, 210 x 297 mm, 54 pages, 4 colours, offset, Japanese binding, IBO One 60gr
Issue 4, 2019
Essay book 2019, Sandberg Instituut, Design Department. Introduction/Epilogue by Tina Bastajian. Contributions by Lucie de Bréchard, Rowena Buur, Miquel Hervás Gómez, Sascha Krischock, Tessa Meeus, Samuli Saarinen, Andreas Trenker, Alex Walker, Karina Zavidova. Designed with Andrea González Garrán and Nicolò Pellarin.
Book, 136.5 x 220 mm, 142 pages, 1 colour, offset, Munken paper
Soft, Hard, Wet: Speculative Genealogy of the Artificial, 2020
MA thesis of artist Natalia Jordanova. Dirty Art Department, Sandberg Instituut, 2020. The text "is an attempt to shift the position of viewing, which always has been human-centred. A way of thinking that presents objects in a flat and equal ontological order to avoid the centralisation of power and dominance of one form of life over another. A world-changing from nature to simulation, from things to information. Though initially as opposites, organisms and machines and humans and animals are all agents in a constant flow of interweaving. Artificial life is being produced by Gods and later humans, in their ever known attempt to be in power, wanting to live forever, to overcome the natural limitations."
Book, 37 pages, 1 colour, Offset
Manifesta 11 Zürich: Cabaret der Künstler — Zunfthaus Voltaire, 2018
Manifesta 11 Zürich 2016. M11, a project initiated by Manifesta Foundation and the City of Zurich, was curated by German artist Christian Jankowski and took place in 2016 in the Swiss city of Zurich for a span of 100 days. One of the venues for Manifesta 11 was the Cabaret der Künstler — Zunfthaus Voltaire, a temporary cabaret at the historic Cabaret Voltaire where around three hundred performances from international artists took place during Manifesta 11. The visual identity for Manifesta 11 Zürich was developed by Swiss designer Ruedi Baur.
Book, 240 x 165 mm, 256 pages, typeface Favorit Grow Manifesta by DINAMO Studio
From Flood to Beach, or: How I Learned to Stop Worrying and Love the Sea, 2017
"The year is 2038. The Netherlands is entirely submerged in the sea. Well, not entirely... One small area on the back of the Hondsrug remains standing strong against the surge of waves. And life is not easy, with the immigrants from Amsterdam, Rotterdam, The Hague, and Utrecht. City folk from former Randstad, submerged in the results of years of denial, have come eastwards in flocks, looking to boards Holland’s last Ark. As a result, Drenthe is in turmoil. Under this newly born density of population, people are beginning to wonder: when will things normalise? Will the immigrants from the West integrate into their culture? And what to do with all this water? The first settlers in the Netherlands are now facing their perhaps biggest challenge yet..." — JH
From Flood to Beach, or: How I Learned to Stop Worrying and Love the Sea is a book by Jonathan Hielkema developed as a continuation of his documentary Drenthe aan Zee. The five main questions of the documentary are rhythmically translated into this publication consisting of found footage, snapshots, and video stills. The book is printed on waterproof Stone Paper and therefore resistant to any possible flood. The book was designed together with Lukas Engelhardt.
Book, 56 pages,120 x 240 mm, softcover, stone paper
Cleansed, Peeled, Liberated GD18 KABK, 2017
Graduation Show identity for the Graphic Design Department of the Royal Academy of Art, 2018, The Hague. In collaboration with Lukas Engelhardt, Taya Reshetnik, Lin Ven, Nora Békes and Asya Sukhorukova.
Catalogue